Posts Tagged ‘Stacia Hitt’

Today’s tech was about one of the more challenging scenes in the libretto: the ghosts flee the cemetery as they hear a new hurricane is coming, one will really wipe Crescent City off the map. Marie Laveau gets this information from a Bound Ghost, who informs her: “All the baddest ghosts are out for blood. Please let me stay dead: I can’t live through another flood!”

I’m excited about how this will be portrayed in the production but don’t want to give it away, as I think the surprise element is crucial, but I’ll offer these pictures as a hint. (I’ll also say that our conductor makes a phenomenal cameo in this as well…)

Appropriately for a day about ghosts, Martin Gimenez and Ryan Ainsworth spent the afternoon in “quiet time,” ringing out the space so the amplification will be as pristine as possible.

Today we rehearsed two of the principal voodoo possession scenes, which seemed like a fitting first day to introduce the chromelodeon, Harry Partch’s amazing pump organ, which Anne has used in her orchestration for Scene 11, and which resides in Olga’s Dive Bar.

The sounds inspired us to have add a few more voodoo possessions, namely at the top of Act II by our Reveler Stacia Hitt:

And we’re adding filmmaker to Maria Elena Altany and Timur Bekbosunov’s many talents…and challenges in this production!

Two more sessions got us that much further in the piece, and every step sees everyone more and more comfortable with the music, the space, and character. We started by reviewing what we have already worked on and added in a few layers, including video:

And giving more stuff for our incredible Revelers to do:

Elizabeth is working side-by-side with me at every rehearsal, which is an incredible way to work with a lighting designer. She has become the unofficial dramaturg of the production–but asĀ John ConklinĀ would say, “Design is dramaturgy!” I think people who see this show will see that’s the case in Elizabeth’s great design: