Posts Tagged ‘Justo Leon’

We all spent Monday getting finishing touches in place to make the warehouse feel more like a performance space for Thursday’s opening, so the photographs are not particularly compelling…Luckily, Timur asked his friend, photographer Dana Ross, to stop by on Sunday, and he took some fantastic pictures:

Today’s tech was about one of the more challenging scenes in the libretto: the ghosts flee the cemetery as they hear a new hurricane is coming, one will really wipe Crescent City off the map. Marie Laveau gets this information from a Bound Ghost, who informs her: “All the baddest ghosts are out for blood. Please let me stay dead: I can’t live through another flood!”

I’m excited about how this will be portrayed in the production but don’t want to give it away, as I think the surprise element is crucial, but I’ll offer these pictures as a hint. (I’ll also say that our conductor makes a phenomenal cameo in this as well…)

Appropriately for a day about ghosts, Martin Gimenez and Ryan Ainsworth spent the afternoon in “quiet time,” ringing out the space so the amplification will be as pristine as possible.

We got through all of Act I, even though time was against us for a full Act I run. Nonetheless, we got great work done, and lighting and video made massive strides. Among the trippy activities that happened throughout the day, pictures within pictures offered the most surprising perspectives around the space, like this one of Jason:

Our Revelers are now in full gear, manipulating the video cameras, creating a ruckus, and occasionally having spoken–and sung!–lines, like Justo Leon:

And Timur got to strut his stuff in full costume and wig on Olga Koumoundouros’s Dive Bar:

Transitioning from Timur on the catwalk to Cedric Berry in Mason Cooley’s Shack was an absolutely thrilling moment:

Now on to Act II!

Two more sessions got us that much further in the piece, and every step sees everyone more and more comfortable with the music, the space, and character. We started by reviewing what we have already worked on and added in a few layers, including video:

And giving more stuff for our incredible Revelers to do:

Elizabeth is working side-by-side with me at every rehearsal, which is an incredible way to work with a lighting designer. She has become the unofficial dramaturg of the production–but asĀ John ConklinĀ would say, “Design is dramaturgy!” I think people who see this show will see that’s the case in Elizabeth’s great design: