Posts Tagged ‘Jordann Baker’

We all spent Monday getting finishing touches in place to make the warehouse feel more like a performance space for Thursday’s opening, so the photographs are not particularly compelling…Luckily, Timur asked his friend, photographer Dana Ross, to stop by on Sunday, and he took some fantastic pictures:

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Another run of Crescent City and things keep improving piece by piece. Today I dedicated myself to the seats between the Dive Bar and the Good Man’s Shack and had the following fantastic views:

We also did some shooting of the Loa for their big scene:

And started putting the musicians into the space:

Hyperopera!

Today’s tech was about one of the more challenging scenes in the libretto: the ghosts flee the cemetery as they hear a new hurricane is coming, one will really wipe Crescent City off the map. Marie Laveau gets this information from a Bound Ghost, who informs her: “All the baddest ghosts are out for blood. Please let me stay dead: I can’t live through another flood!”

I’m excited about how this will be portrayed in the production but don’t want to give it away, as I think the surprise element is crucial, but I’ll offer these pictures as a hint. (I’ll also say that our conductor makes a phenomenal cameo in this as well…)

Appropriately for a day about ghosts, Martin Gimenez and Ryan Ainsworth spent the afternoon in “quiet time,” ringing out the space so the amplification will be as pristine as possible.

Gwen requested we add “Don’t Rock the Boat” to the CRESCENT CITY playlist after we rehearsed the climactic “Judgement at the Swamp” scene. I would do so if I knew who sang it…and in any case, Gwen treated us to a beautiful rendition of it while she floated along.

I really don’t want to give too much away from the imagery of this scene but offer a few little tidbits from our rehearsal:

We also incorporated Jordann Baker’s stilt-walking skills:

And a first glimpse at Timur Bekbosunov’s Deadly Belle costume by Ivy Chou, complete with 7″ heels (another kind of stilts!):

Two more sessions got us that much further in the piece, and every step sees everyone more and more comfortable with the music, the space, and character. We started by reviewing what we have already worked on and added in a few layers, including video:

And giving more stuff for our incredible Revelers to do:

Elizabeth is working side-by-side with me at every rehearsal, which is an incredible way to work with a lighting designer. She has become the unofficial dramaturg of the production–but as John Conklin would say, “Design is dramaturgy!” I think people who see this show will see that’s the case in Elizabeth’s great design: