Posts Tagged ‘Chelsea Spirito’

We all spent Monday getting finishing touches in place to make the warehouse feel more like a performance space for Thursday’s opening, so the photographs are not particularly compelling…Luckily, Timur asked his friend, photographer Dana Ross, to stop by on Sunday, and he took some fantastic pictures:

Another run of Crescent City and things keep improving piece by piece. Today I dedicated myself to the seats between the Dive Bar and the Good Man’s Shack and had the following fantastic views:

We also did some shooting of the Loa for their big scene:

And started putting the musicians into the space:

Hyperopera!

In the swirl of activity surrounding our first orchestra dress rehearsal, in which we pulled off an entire run of the opera with very few stops, we weren’t able to take too many photographs, but a few are offered here.

For these last few rehearsals, I’ve decided to dedicate my view to one fixed seat to see how audience members on one side of the warehouse will experience the show from beginning to end. It was actually refreshing to have only one point of view after moving around so much over the course of previous rehearsals. The good news for me was that having one perspective never felt like I was missing part of the show, even when something was happening out of sight. This is in large part due to Jason Thompson’s fantastic work with video design, with robotic and hand-held cameras roving around the space, offering surprising and disorienting views of the action as it happens.

From the seats on the west side of the warehouse–that is, between the cemetery and the Junk Heap–you get a kind of epic view down the crossroads, and all the processions and parades I’ve staged throughout the opera look incredibly powerful, like the line in the libretto: “Roads to nowhere leading nowhere…”

Today’s tech was about one of the more challenging scenes in the libretto: the ghosts flee the cemetery as they hear a new hurricane is coming, one will really wipe Crescent City off the map. Marie Laveau gets this information from a Bound Ghost, who informs her: “All the baddest ghosts are out for blood. Please let me stay dead: I can’t live through another flood!”

I’m excited about how this will be portrayed in the production but don’t want to give it away, as I think the surprise element is crucial, but I’ll offer these pictures as a hint. (I’ll also say that our conductor makes a phenomenal cameo in this as well…)

Appropriately for a day about ghosts, Martin Gimenez and Ryan Ainsworth spent the afternoon in “quiet time,” ringing out the space so the amplification will be as pristine as possible.

Gwen requested we add “Don’t Rock the Boat” to the CRESCENT CITY playlist after we rehearsed the climactic “Judgement at the Swamp” scene. I would do so if I knew who sang it…and in any case, Gwen treated us to a beautiful rendition of it while she floated along.

I really don’t want to give too much away from the imagery of this scene but offer a few little tidbits from our rehearsal:

We also incorporated Jordann Baker’s stilt-walking skills:

And a first glimpse at Timur Bekbosunov’s Deadly Belle costume by Ivy Chou, complete with 7″ heels (another kind of stilts!):